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I read this book in 1976, in thick of the revolution. I agreed and enjoyed everything she said. 37 years later, I was re-arranging my books and found this TRASH again.
The Hardcover of the Interviews With History and Power by Oriana Fallaci at Barnes & Noble. FREE Shipping on $35.0 or more! Pick up in Store Check Availability at Nearby Stores. To this day he calls the Fallaci interview 'the most disastrous conversation I ever had with the press.' Read Oriana Fallaci Interview With History ios Oriana Fallaci Interview With History ebook download Oriana. Interview with History has 936 ratings and 58 reviews. Ahmad said: Intervista con la storia=Interview with History, Oriana Fallaci. Interview with History - by Oriana Fallaci (Interview Art Ebook) pdf torrent download for free.
I am so sorry in my youth and naivete, I believed how she described the Shah of Iran. I was and still am anti-Shah's policies, but I hate liars even more. 'the knickknacks covered with rubies and sapphires, the corners of the table. And in that absurd and irritating glare of gold,emeralds,rubies and sapphires,I sat for.' O.F.I read this book in 1976, in thick of the revolution. I agreed and enjoyed everything she said. 37 years later, I was re-arranging my books and found this TRASH again.
I am so sorry in my youth and naivete, I believed how she described the Shah of Iran. I was and still am anti-Shah's policies, but I hate liars even more.
'the knickknacks covered with rubies and sapphires, the corners of the table. And in that absurd and irritating glare of gold,emeralds,rubies and sapphires,I sat for.' O.F.Anyone who has seen the palace, which is a museum now knows the style was contemporary and there was no such a thing as gold and glitter on any of palaces. Again she says 'we Europeans were naive,indeed superficial, in underestimation of him,'we did not even bother to count his oil wells,which were spreading like wildfire and increasingly fortifying his power at home and abroad. Today we are paying the price for our myopia' O.F.Yes, my friends, these lines say it all. WE EUROPEANS: will tell you how to look at yourselves, WE write books and tell you lies when your leaders stand up to us or raises oil prices rightfully so, WE in the most sneaky corrupt, dirty games change your government who dare to work against us, WE.Please next time you read anything,don't believe it.
Most of the news you are reading today is implanted to keep you sad and unhappy with your government so your best and brightest leave and work for them rather than contributing to their own country. The more horrible and Iraq, Syria, Libia, Egypt look alike your lives are, the happier they are. DO NOT BELIEVE THEM. Where do I begin in the praise of this remarkable woman and her interview with the most notable players of the power game of her time. She asks the right questions mostly, and gets great, meaningful answers.Its intriguing to look at these people in hindsight and judge the impact they had on history and if their predictions come true. Several of the people interviewed were assassinated, Bhutto and Panagoulis to name two, the former intrigued her and she fell in love with the latter.
So there's a Where do I begin in the praise of this remarkable woman and her interview with the most notable players of the power game of her time. She asks the right questions mostly, and gets great, meaningful answers.Its intriguing to look at these people in hindsight and judge the impact they had on history and if their predictions come true. Several of the people interviewed were assassinated, Bhutto and Panagoulis to name two, the former intrigued her and she fell in love with the latter. So there's a lot of food for thought as to who was right in his beliefs and who was wrong.But you need to see past her obvious hatred for Islam and to some extent the US because the bias is apparent in her questioning and writing but a must read nevertheless.Love the Intro as well. Well done Fallaci.
Oriana Fallaci was like a rabid dog who ripped to shreds the likes of dictators and political buffoons; she was also quite charming and used her wiles to crumble her subjects' self-perception.Her interviews function in part as histories of key political figures during the Cold War. They are painful and satisfying to read as she jabs pins in the facade that is politics and insults leaders for everything from their taste in coffee and their choice of wardrobe to their military policy.I can't help Oriana Fallaci was like a rabid dog who ripped to shreds the likes of dictators and political buffoons; she was also quite charming and used her wiles to crumble her subjects' self-perception.Her interviews function in part as histories of key political figures during the Cold War. They are painful and satisfying to read as she jabs pins in the facade that is politics and insults leaders for everything from their taste in coffee and their choice of wardrobe to their military policy.I can't help but think that if she were alive and interviewing me, I would welcome the pummeling just to see her in action. Fallaci is to the political interview what Terri Gross is to the artistic one.
Her formal, flinty preparedness and bravura questions call to mind a matador unafraid to break with convention, brandishing an irresistible cape - it could be any size or color - and then stepping deftly out of the way.That said, the interviews compiled in this book are inevitably dated. Sometimes that makes for great reading, when one revisits historical detail not much discussed anymore, and often finds a nugget Fallaci is to the political interview what Terri Gross is to the artistic one. Her formal, flinty preparedness and bravura questions call to mind a matador unafraid to break with convention, brandishing an irresistible cape - it could be any size or color - and then stepping deftly out of the way.That said, the interviews compiled in this book are inevitably dated.
Sometimes that makes for great reading, when one revisits historical detail not much discussed anymore, and often finds a nugget of prescience. But expect, in any given reading, to skip some interviews out of restlessness in order to relish the juicier ones. A selection of interviews compiled as a book. Fallaci is concise, daring, brilliant and knows how to get to the heart and soul of the famous political figures she interviews. I am a long term devotee of Fallaci and think of her as the best in her field. The book is a little dated, but the all fourteen interviews come alive. When I got to the last one, Alexandros Panagoulis, I was on verge of tears in reading what the Greek Junta did to him.
All interviews are revealing and to me were worth A selection of interviews compiled as a book. Fallaci is concise, daring, brilliant and knows how to get to the heart and soul of the famous political figures she interviews. I am a long term devotee of Fallaci and think of her as the best in her field. The book is a little dated, but the all fourteen interviews come alive. When I got to the last one, Alexandros Panagoulis, I was on verge of tears in reading what the Greek Junta did to him. All interviews are revealing and to me were worth reading.'
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The greatest political interviewer of modern times' Rolling Stone. Oriana Fallaci is a goddess.
I can't believe any of the men interviewed by her in this book agreed to do it for any other reason than they wanted to marry her. Then she made them all reveal themselves as evil, or stupid, or both. The Kissinger interview is awesome, as is the Ali Bhutto one. But they're all awesome, with the possible exception of some old Italian socialist who put me to sleep near the end of the book.It's easy to see why the women (Golda Meir, Indira Ghandi) agreed to be Oriana Fallaci is a goddess. I can't believe any of the men interviewed by her in this book agreed to do it for any other reason than they wanted to marry her. Then she made them all reveal themselves as evil, or stupid, or both. The Kissinger interview is awesome, as is the Ali Bhutto one.
But they're all awesome, with the possible exception of some old Italian socialist who put me to sleep near the end of the book.It's easy to see why the women (Golda Meir, Indira Ghandi) agreed to be interviewed. Fallaci loves all the women. She can do what she wants as far as I'm concerned.
(AP Photo )Fallaci was born in Florence, in 1929, to an indomitable mother and a penniless, Proust-loving father, who made his living as a woodcarver. Disappointed that the first of his offspring was a girl, Edoardo Fallaci taught her to shoot, hunt and absorb physical pain without complaint. All of this would come in handy soon enough.
In 1943, after the fall of Mussolini, the Germans occupied northern Italy. Edoardo joined the Partisans — and so did his 13-year-old daughter, who conveyed leaflets, messages and supplies on her bicycle.
The experience shaped her personality and her politics alike. It marked her, she would later recount, just as the “Pentecost left its mark upon the apostles.”. (Private Archive Peraz )Fallaci’s initial collision with America, where she would spend much of the second half of her life, was fortuitous in all sorts of ways. It exposed her to a wider world and taught her that celebrities were often hollow shells: Potemkin Village personalities. It also seemed to crystallize her peculiar mixture of vulnerability and high-decibel truculence.
“She was fragile,” recalled one companion, “but she used aggressiveness as a shield. She attacked first. As a result, Americans were often terrified of her.”And not only Americans. By the late ’50s, she had begun to turn what Orson Welles called her “sharp, Tuscan eye” on the rest of the world. First, “L’Europeo” sent her on a proto-feminist tour of Turkey, Pakistan, India, Malaysia, Hong Kong and Japan.
Always attuned to the paradoxes of progress, she wrote about her encounters with “Muslim women who no longer wear the veil and are respected and free, but also unhappy, just as we are in the West.” She published this reportage as a book, “The Useless Sex,” in 1961, and followed up the next year with “Penelope at War,” a thinly fictionalized novel about her turbulent love life. But before she could be pigeonholed as an anatomist of the nascent gender wars, Fallaci changed tack and spent almost a year reporting on the U.S. Space program. Then she headed for Vietnam. Her entire life was a war on the party line, the politically expedient, the prefabricated opinion, and she never stopped fighting, at least not on the page.Fallaci was herself a celebrity by then, and perhaps that made her uneasy. Plunging into a combat zone took her back to the fundamentals she had absorbed in 1943 and reignited her contempt for hypocrisy, which made her wary of both the Americans and the Viet Cong.
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In her final dispatch from the conflict, written as the North Vietnamese marched into Saigon, she anticipated both the victory and its aftermath of Stalinist rule and reeducation camps: “The Communists are splendid while they fight, and intolerable once they have won.”While she continued to function as a war correspondent, Fallaci found another way to vent her rage at the abuse of power: the interview. There is a wonderful irony here. Having cut her teeth interrogating the merely famous, she upgraded to the high, the mighty, the Shakespearean movers-and-shakers.
They were mostly men, and they were mostly intimidated by this wily, theatrical, fearless woman with a microphone. “To what degree does power fascinate you?” she asked Henry Kissinger. (The answer, predictably and unconvincingly, was not at all.) Talking with the Ayatollah Khomeini in 1979, she responded to a jeering comment about her respectability by ripping off her chador: “I’m going to take off this stupid, medieval rag right now. Done.” (Khomeini fled the room at once.). (Private Archive Peraz )Many of these interviews were collected in “Interview With History,” which I suspect will outlast much of Fallaci’s output.
The conversations are sharp, informed, often entertaining: They are two-part inventions in which the interviewer is a major presence, a player. In that sense, they may have helped to shape our contemporary media landscape, with its preference for the shouting match or polemical dunk tank.What followed was less inspiring. Fallaci spent almost a decade on “Inshallah,” a giant novel about the war in Lebanon, which exposed her weakness for melodrama and metaphysical kitsch.
She deserves some credit, as De Stefano argues, for predicting that “radical Islam would expand beyond the Middle Eastern arena and confront the West in a much wider war.” But her disdain for the faith, fed initially by its oppression of women, got the better of her. The Muslim characters in “Inshallah” are queasy-making cartoons: killers, traitors, homosexuals (always a black mark in Fallaci’s book). And a decade later, after the Sept.
11 attacks, she published a Muslim-hating polemic, “The Rage and the Pride,” whose hyperventilating scorn made it, in the words of Christopher Hitchens, a “sort of primer in how not to write about Islam.”. De Stefano, who has filled in some important biographical gaps, is less reliable as a critic of Fallaci’s work.
She seems not to recognize that these final productions, with their depressing quotient of egotism and Islamophobia, ended Fallaci’s career on a low note. As it happens, they also made this lifelong anti-fascist into a hero of the right — an irony that may have tickled her, if she dwelled on it at all. But her entire life was a war on the party line, the politically expedient, the prefabricated opinion, and she never stopped fighting, at least not on the page. Blame it on Uncle Bruno, perhaps, who drilled his main journalistic precept into Fallaci’s head as a child: “First of all, don’t bore the reader!” Early and late, she almost never did.
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